from (AB 1536) Mozart Piano Sonata K331 (300i)
In the opening figure only two notes, not three, are slurred and this phrasing naturally affects the bass-line too.
一開始呈現出的僅是兩音而非三音一組,這樣的樂句分法也自然地影響著低音旋律線。
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from (AB 1536) Mozart Piano Sonata K331 (300i)
In the opening figure only two notes, not three, are slurred and this phrasing naturally affects the bass-line too.
一開始呈現出的僅是兩音而非三音一組,這樣的樂句分法也自然地影響著低音旋律線。
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from (AB 1536) Mozart Piano Sonata K331 (300i)
It lies on the elusive border between two and six beats per bar, and though the theme is song-like it has the gentle lilt of a siciliano.
它呈現出每小節二和六拍之間難以描述的狀態,雖然主題如歌曲般,但卻具有西西里舞曲的溫和輕快感。
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from (AB 1536) Mozart Piano Sonata K331 (300i)
The tempo of the theme is best judged by thinking ahead to the detail of variations 1 and 2, which should flow naturally in its wake.
透過先行思索變奏一和二的細節來決定主題的最佳速度;如此可使主題與變奏的銜接自然順暢。
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from (AB 1536) Mozart Piano Sonata K331 (300i)
The only possible alternative to 'all or none' is to observe the repeats in the theme and the final variation, which will sound abrupt without them.
除了“全選或全無”之外,唯一可能的替代方案,是遵照主題及最終變奏曲中的反覆記號,如果屏除他們會使樂曲聽起來很突兀。
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