from (AB 1536) Mozart Piano Sonata K331 (300i)
Any suspicion of a double-dot will spoil the dignity of the theme, and in general the upbeats need to be light in order to give point to Mozart's sforzatos in b.4 etc.
任何對於雙點的疑慮，都會導致對主題的整體性的破壞，且一般弱拍本應被輕輕地彈奏配置，以彰顯第四小節等有突強記號處。
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from (AB 1536) Mozart Piano Sonata K331 (300i)
Pianists who think this effect fussy should ask a violinist to demonstrate the difference.
鋼琴家若認為此效果模糊不清，應請小提琴家來演示出其差異。
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from (AB 1536) Mozart Piano Sonata K331 (300i)
In the opening figure only two notes, not three, are slurred and this phrasing naturally affects the bass-line too.
一開始呈現出的僅是兩音而非三音一組，這樣的樂句分法也自然地影響著低音旋律線。
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