from (AB 1536) Mozart Piano Sonata K331 (300i)
It is better to exaggerate rather than neglect the short slurs, and the l.h. off-beat chords need touching in lightly.
最好是使較短的圓滑線誇大而不是忽略它,且左手的弱拍和弦觸鍵需要輕一些。
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from (AB 1536) Mozart Piano Sonata K331 (300i)
It is better to exaggerate rather than neglect the short slurs, and the l.h. off-beat chords need touching in lightly.
最好是使較短的圓滑線誇大而不是忽略它,且左手的弱拍和弦觸鍵需要輕一些。
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from (AB 1536) Mozart Piano Sonata K331 (300i)
A problem in variation 1 is that the slender dissonant notes - B#, D#, etc – are unsupported but carry the main beats.
問題是變奏一當中微弱的不和諧音升B、升D等,並無支撐性但卻在主要的拍子上。
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from (AB 1536) Mozart Piano Sonata K331 (300i)
Not, however, in the original edition, variation 5, at bb 95-6, are only token ones.
然而在原始版本中,變奏五僅僅在95-6小節出現一次上述的力度對比。
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from (AB 1536) Mozart Piano Sonata K331 (300i)
Most of the variations adopt a different dynamic contrast in their first halves: four bars of piano answered by four of forte in a new texture.
大多數的變奏曲在前半段採用的是不同的力度對比:前四小節是小聲,後四小節在新的織度中是大聲的答句。
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