from (AB 1536) Mozart Piano Sonata K331 (300i)
The tempo of the theme is best judged by thinking ahead to the detail of variations 1 and 2, which should flow naturally in its wake.
透過先行思索變奏一和二的細節來決定主題的最佳速度；如此可使主題與變奏的銜接自然順暢。
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from (AB 1536) Mozart Piano Sonata K331 (300i)
The only possible alternative to 'all or none' is to observe the repeats in the theme and the final variation, which will sound abrupt without them.
除了“全選或全無”之外，唯一可能的替代方案，是遵照主題及最終變奏曲中的反覆記號，如果屏除他們會使樂曲聽起來很突兀。
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from (AB 1536) Mozart Piano Sonata K331 (300i)
The movement is a long one if all the repeats are observed, and some players play havoc with the form by picking and choosing.
倘若遵守樂曲中所有的反覆記號，這個樂章會是一首長的樂曲，有些演奏者會用選擇和挑選的方式彈奏打破原有的型式。
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